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The Instrumentals | Vol 1

by Redtenbacher's Funkestra

supported by
philps
philps thumbnail
philps All the tracks are good, although I particularly like the track Gravy Train, Nigel Price is a great guitarist, it is a great recording as well, it is well worth watching the accompanying videos. Great vibe! Highly recommended. Favorite track: Gravy Train (ft. Nigel Price).
Peter Jones
Peter Jones thumbnail
Peter Jones Percussion on Code 12 is wonderful. Gravy Train pulls in a close second - great guitar work.

Hearing all these again is great.
sussexswampy
sussexswampy thumbnail
sussexswampy I will savour this album. Top drawer musicians - most of whom I have seen live in one format or another. Great collaboration.
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about

We are delighted to be supporting Save The Children’s COVID-19 Appeal. Simply download this Masterlink INSTRUMENTAL Sessions album and even pay more if you want.

Your donation supports communities directly affected by this crisis, in the UK & globally. This pandemic threatens children & families everywhere. Thank you for your support.

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'The Masterlink Sessions' are a joint venture of James Welch (Masterlink Productions and Stefan Redtenbacher (Redtenbacher's Funkestra) to strengthen the UK Blues, Soul, Funk and Jazz community by artists to record 100% live in the studio videos.

For more Masterlink Sessions videos click here:
www.youtube.com/redtenbachersfunkestra

credits

released April 28, 2020

See individual tracks for musician's credits.

Recorded, mixed and mastered by James Welch (Masterlink Productions)
Videos by Leo Mansell (Shoot and Splice)
Arranged and produced by Stefan Redtenbacher (except where indicated)
Cover photo by Rob Blackham (Blackham Images)
Graphic design by Neil J Hart & Stefan Redtenbacher

license

all rights reserved

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about

The Masterlink Sessions London, UK

'The Masterlink Sessions' (James, Leo, Stefan) invite artists to create 100% live-in-the studio videos.
The house band is (mostly) Redtenbacher's Funkestra and the studio is Masterlink Productions in Surrey, UK.

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